Ġazalīyāt
| Müellif | Naf‘î - · Ǧalālî - |
| Materyal türü | Yazma eser |
| Dil | Çok dilli |
| Kurum | University library Svetozar Markovic, Belgrade |
| Kaynak | Europeana |
| Not | Original leather covers, linen binding untied. Taliq script, black ink. Marginal verses written with black ink; Originalne kožne korice, platneni povez odšiven. Talik, crno mastilo. Stihovi na marginama zabeleženi su crnim mastilom; Ghaylan ibn 'Uqbah (c. 696 - c. 735), nicknamed Dhu al-Rummah, is usually regarded as the last of the Bedouin poets. His works had continued the themes and style of the pre-Islamic poets particularly eulogising the harsh but simple desert life, traditionally recited round a campfire. Although such themes continued and were returned to by many modern, urban poets, this poetic life was giving way to court poets. The more settled, comfortable and luxurious life in Ummayyad courts led to a greater emphasis on the ghazal or love poem. Chief amongst this new breed of poet was Abu Nuwas. Not only did Abu Nuwas spoof the traditional poetic form of the qasida and write many poems in praise of wine, his main occupation was the writing of ever more ribald ghazal many of them openly homosexual |
Naf‘î - · Ǧalālî -, Ġazalīyāt, University library Svetozar Markovic, Belgrade, https://www.europeana.eu/item/9200126/9658269429D557077A51270C5D817B3151F1A477?utm_source=api&utm_medium=api&utm_campaign=mmurvess.