Ḫawāssi ma'nā'i mubin ile temkin...
| Materyal türü | Yazma eser |
| Dil | Çok dilli |
| Kurum | University library Svetozar Markovic, Belgrade |
| Kaynak | Europeana |
| Not | Original paper and leather covers, linen binding. Neskhi script, black ink, certain terms and marks in the text, ink: red and green. Marginal notes, ink: black, red and green. Text within a frame, colours: red, black and green. Three rhymes written by Kemal Paša zade; Originalne kartonske korice prevučene kožom, platneni povez. Neshi, crno mastilo, određeni termini i oznake u tekstu zapisani su crvenim i zelenim mastilom. Beleške na marginama zapisane su crnim, crvenim i zelenim mastilom. Tekst je uokviren ramom crvene, crne i zelene boje. Tri stiha koja je napsao Kemal Paša zade; Hafiz is a highly controversial figure in Persian literature. The controversy is centered on whether Hafiz uses allegorical symbolism alongside profane love to convey Sufic messages to those knowledgeable to decipher his thoughts. Many scholars in the West have rejected the attribution of any sufistic value to the poetry of Hafiz. On the contrary, many scholars and critics in the Easthave not given anything but sufistic values to the same poetry. Hafiz is undeniably the master of the art of the ghazal (sonnet). The ghazal, of course, does not begin with Hafiz but, it is, certainly, a genre which he developed and perfected. His Suficghazals usually contain seven beyts with the poet's penname usually appearing in the last beyts. His Suficghazals, that have more than seven beyts, have, over the centuries, engaged the attention of the analysts and interpreters. |
Ḫawāssi ma'nā'i mubin ile temkin..., University library Svetozar Markovic, Belgrade, https://www.europeana.eu/item/9200126/227CDAE057BC6E391CF112D99A08793C0108912D?utm_source=api&utm_medium=api&utm_campaign=mmurvess.