Yogi seated in Nauli Kriya (niyuli) position (recto), and kanphata yogi by his hut (verso), from the Ocean of Immortality (Bahr al-Hayat)
| Müellif | Govardhan, attributed to |
| Materyal türü | Yazma eser |
| Dil | İngilizce |
| Kurum | Chester Beatty |
| Kaynak | Europeana |
| Not | Yogi seated in Nauli Kriya (niyuli) position (recto), and kanphata yogi by his hut (verso), from the Ocean of Immortality (Bahr al-Hayat). This book consists of ten chapters explaining the philosophy of hatha yoga, with paintings showing twenty-one different positions (asanas). Written in Persian, the work was composed in Gujarat c. 1550 by Muhammad Ghwath Gwaliori (d. 1562), a prominent Sufi, drawing from an earlier Arabic version (Pool of life, or Hawd al-hayat), of an original Sanskrit text (Amrita Kunda, now lost). This manuscript was produced in early seventeenth-century Mughal India: it is one of three yoga-related texts commissioned for prince Selim (the future Mughal emperor, Jahangir). Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with two paintings (on recto and verso), from the Ocean of Immortality (Bahr al-Hayat), by Muhammad Ghwath Gwaliori (d. 1562), unsigned, painting attributed to Govardhan, Allahabad, India, c. 1600-1604. This is one of twelve folios now detached from its codex (Chester Beatty In 16). |
Govardhan, attributed to, Yogi seated in Nauli Kriya (niyuli) position (recto), and kanphata yogi by his hut (verso), from the Ocean of Immortality (Bahr al-Hayat), Chester Beatty, https://www.europeana.eu/item/1100/1635?utm_source=api&utm_medium=api&utm_campaign=mmurvess.